This Week’s Good Reads (Week of April 27)
Welcome to May! And what does May bring? Flowers! Yes, but what else? Mother’s Day. True, but work with us. Summer movies? Yes! It’s […]
This Week’s Good Reads (Week of April 20)
This week kicked off with 4/20, so we find it only appropriate that we forgot to put together a list of the week’s best
This Week’s Good Reads (Week of April 6)
It’s a quiet day in the SAGindie offices, what with the abundance of film festivals kicking off this weekend/week. So as you psyche yourself
This Week’s Good Reads (Week of March 30)
Now that we’re a few days into April, the news media has stopped emulating The Onion for 24 hours and can get back to
This Week’s Good Reads (Week of March 16)
Top o’ the weekend to you. Now that our St. Patrick’s Day green beer is fully digested, we have collected the best articles, essays,
This Week’s Good Reads (week of March 9)
Howdy, y’all! (Darrien and Colin have departed to Austin for SXSW, hence all the “y’all”-ing.) But fear not, because we’ve still managed to scoured
This Week’s Good Reads (Week of February 23)
Did you hear about the Oscars? They happened this past week. The Independent Spirit Awards also took place this past weekend, and you can
This Week’s Good Reads (Week of February 2)
This has been a week of reflection on that magical time of year called Sundance. See various breakdowns, analyses, and Twitter statistics from this
This Week’s Good Reads (Week of December 1)
Wow, Awards Season came out real strong and indecisive: The Gotham Awards chose Birdman, National Board of Review went with A Most Violent Year,
This Week’s Good Reads (Week of November 17)
Snow and sleet are blowing through much of the country, and the Santa Ana winds have rendered Los Angeles borderline uncomfortable, with temps dipping
This Week’s Good Reads (Week of November 10)
A busy week here at SAGindie. Not only were we on-hand at AFI Fest to co-host a filmmaker party and sponsor the first-look screening
This Week’s Good Reads (Week of November 3)
This week’s batch of the most interesting film-related writings is chock-full of Negative Nancys writing about the various obstacles and drawbacks of today’s independent