Filmmaker Interview: LISA ROBINSON and ANNIE J. HOWELL of CLAIRE IN MOTION
As a writing/directing team and as individual filmmakers, LISA ROBINSON and ANNIE J. HOWELL are no strangers to accolades. After their web series Sparks
This Week’s Good Reads (Week of January 2)
Welcome to 2017! We survived the holidays and have entered a new year. Time for new beginnings, soon-to-be-discarded resolutions, Hollyweed signs, and a new
SAGindie’s Favorite Films of 2016
Well, 2016 was certainly a year to remember… for better and for worse. But in between an ugly, seemingly never-ending election, and untimely celebrity
This Week’s Good Reads (Week of December 5)
You can feel it in the air: The decorations, the shopping, the TV production of a live musical… We have fully entered the “holiday
Filmmaker Interview: KATIE HOLMES, director/star of ALL WE HAD
KATIE HOLMES was introduced to many as the quintessential “girl next door” Joey Potter on TV’s Dawson’s Creek in 1998. While her day job
This Week’s Good Reads (Week of November 28)
We hope everyone returned from their long Thanksgiving weekend fatter and happier than ever before (and hopefully not too much poorer after Black Friday/Cyber
2016 IFP GOTHAM AWARDS – Nominees & Winners
Our pals at the Independent Filmmaker Project (IFP) jump-started awards season with the 2016 GOTHAM INDEPENDENT FILM AWARDS, their annual event honoring the best
Indie Films To Be Thankful For
[UPDATED 11/21/17] It’s easy to forget judging by retail store decorations, but there is actually a stretch of time in between Halloween and Christmas. The
2016 AFI FEST Recap
Traffic and tourists couldn’t stop A-list movie stars and scrappy indie filmmakers from coming together in Hollywood for the 2016 AFI FEST. SAGindie once
This Week’s Good Reads (Week of November 7)
So… Wow. Busy week. For example, Donald Trump won the election. Now, this website is a resource for directors, producers, actors, casting directors, cinephiles,
Filmmaker Interview: ANNA BILLER, writer/director/producer of THE LOVE WITCH
It’s probably safe to say that ANNA BILLER puts more hours into her work than a lot of directors do, and with her newest
Filmmaker Interview: ANTHONY EDWARDS, director of MY DEAD BOYFRIEND
Many actors would kill to land just one iconic role that gives them that people-calling-you-your-character-name-on-the-street level of recognizability. ANTHONY EDWARDS, however, has at least