Filmmaker Interview: MEL ESLYN, writer/director/producer of BIOSPHERE
Gaining experience on a film set is always a good idea before taking on the mantle of director. And filmmaker MEL ESLYN has experience
Filmmaker Interview: BOMANI J. STORY, writer/director/producer of THE ANGRY BLACK GIRL AND HER MONSTER
BOMANI J. STORY started his creative output at a young age, writing short stories as a child and finding early inspiration in an 1818
Filmmaker Interview: FRANKLIN RITCH, writer/director/star of THE ARTIFICE GIRL
Like many indie filmmakers, FRANKLIN RITCH made a proof-of-concept to help sell his vision of a potential feature debut. Unlike a lot of other
Filmmaker Interview: LIZ CARDENAS, producer of ACIDMAN
As a producer, LIZ CARDENAS has a specialty in using a project’s ingrained constraints to its advantage, from the minimalist isolation of David Lowery’s
Filmmaker Interview: JAMIE DACK, writer/director/producer of PALM TREES AND POWER LINES
With an evocatively-titled screenplay, two powerful leading roles, and a Cannes-approved short to work off of, JAMIE DACK had a lot going for her
Filmmaker Interview: RAVI KAPOOR and VENK POTULA of FOUR SAMOSAS
Both RAVI KAPOOR and VENK POTULA have pursued their storytelling passions from both sides of the camera. Kapoor has acted in TV procedurals such
Filmmaker Interview: MALI ELFMAN, writer/director of NEXT EXIT
Filmmaker MALI ELFMAN has made movies in all genres but has found a particular niche in horror. Her newest film — her first as
Filmmaker Interview: MICHAEL TENNANT and BRITT RENTSCHLER of PRETTY PROBLEMS
Longtime friends MICHAEL TENNANT and BRITT RENTSCHLER met in an acting class, a logical place to find a potential creative collaborator. But for many
Filmmaker Interview: OWEN KLINE, writer/director of FUNNY PAGES
The coming-of-age comedy FUNNY PAGES may be from a first-time feature screenwriter/director, though anyone with a fondness for independent film knows that OWEN KLINE
Filmmaker Interview: MAX WALKER-SILVERMAN, writer/director/producer of A LOVE SONG
For his first feature film, MAX WALKER-SILVERMAN has written, produced, directed, and edited an intimate character study exploring rural America, aging, and the path
Filmmaker Interview: CAREY WILLIAMS, director of EMERGENCY
Like many film school grads, CAREY WILLIAMS went from school (in his case, Florida State University) to Los Angeles to make his way, PA’ing
Filmmaker Interview: KATE TSANG, writer/director of MARVELOUS AND THE BLACK HOLE
Filmmaker KATE TSANG spent her youth between the U.S. and Hong Kong, giving her a wide array of movie-watching options and imagination fuel. Drawn